{"id":4438,"date":"2015-07-13T12:14:35","date_gmt":"2015-07-13T10:14:35","guid":{"rendered":"https:\/\/carlesmarin.com\/criticas\/"},"modified":"2023-05-04T21:37:12","modified_gmt":"2023-05-04T19:37:12","slug":"reviews","status":"publish","type":"page","link":"https:\/\/carlesmarin.com\/en\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"

[vc_row][vc_column][vc_single_image image=”4359″ img_size=”medium” alignment=”center”][vc_single_image image=”4577″ img_size=”full” alignment=”center”][vc_separator type=”invisible” size=”big”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1634197523377{padding-top: 50px !important;}”][vc_column width=”1\/4″][vc_single_image image=”4581″ img_size=”medium” align=”left”][\/vc_column][vc_column width=”3\/4″][vc_column_text]”… Coll, Mar\u00ed and Liebreich sign an excellent evening of music in tribute to Vicente Zarzo Pitarch …. \u201d Read full review<\/a><\/p>\n

Valencia Plaza<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1634197523377{padding-top: 50px !important;}”][vc_column width=”1\/4″][vc_single_image image=”4584″ img_size=”medium” align=”left”][\/vc_column][vc_column width=”3\/4″][vc_column_text]”… Mar\u00edn gave a subtle interpretation, with great taste and more refinement, making his virtuosity sound effortless. …. \u201d Read full review<\/a><\/p>\n

Codalario,<\/strong> April 2023[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”4359″ img_size=”medium” alignment=”center”][vc_single_image image=”4448″ img_size=”full” alignment=”center”][vc_separator type=”invisible” size=”big”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1634197523377{padding-top: 50px !important;}”][vc_column width=”1\/4″][vc_single_image image=”4298″ img_size=”medium” align=”left”][\/vc_column][vc_column width=”3\/4″][vc_column_text]”… Overwhelming, dazzling and definitely capital, almost Orozquian, was his resplendent realization of the Sonata in G minor, whose maximum virtuosity, at the tempi of vertigo …. \u201d Read full review<\/a><\/p>\n

Scherzo Magazine,<\/strong> December 2021[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1634197523377{padding-top: 50px !important;}”][vc_column width=”1\/4″][vc_single_image image=”4298″ img_size=”medium” align=”left”][\/vc_column][vc_column width=”3\/4″][vc_column_text]\u201c\u2026each display of virtuosity characterized by Carles Mar\u00edn in Variations on a Theme of Paganini by Rachmaninov and the Totentanz by Liszt\u2026\u201d<\/p>\n

Scherzo Magazine,<\/strong> January 2016[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1634197523377{padding-top: 50px !important;}”][vc_column width=”1\/4″][vc_single_image image=”4298″ img_size=”medium” align=”left”][\/vc_column][vc_column width=”3\/4″][vc_column_text]\u201c\u2026 Another of the most significative moments of the programme of the 14th<\/sup>\u00a0Rafael Orozco Festival was the electrifying version of Concert no.1 of Tchaikovsky with Carles Mar\u00edn as a soloist\u2026\u201d<\/p>\n

Scherzo Magazine,<\/strong> January 2016[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1634197523377{padding-top: 50px !important;}”][vc_column width=”1\/4″][vc_single_image image=”4294″ img_size=”medium” align=”left”][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n

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\u201c\u00a0 \u00abFire\u00bb came in the hands of Carles Mar\u00edn, celebrated pianist of vital and decisive performance\u201d<\/p>\n

ARN digital<\/strong>, Madrid, March 2014.<\/p>\n<\/div>\n<\/div>\n

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[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”4292″ img_size=”medium” align=”left”][\/vc_column][vc_column width=”3\/4″][vc_column_text]\u201c\u2026Carles Mar\u00edn proved once more to be the outstanding pianist who performs, with mastery and no difficulty at all, his risky version of Rhapsody in Blue by Geshwin, a language we are not used to hearing from him\u2026\u201d<\/p>\n

Newspaper EL MUNDO<\/strong> , December 2013.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1634197523377{padding-top: 50px !important;}”][vc_column width=”1\/4″][vc_single_image image=”4300″ img_size=”medium” align=”left”][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n

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\u201c\u2026Concert 17 is a work by a mature Mozart that requires elegance and excellent phrasing, values that the pianist Carles Mar\u00edn, of a clear and refined articulation, undoubtedly posseses\u2026\u201d<\/p>\n

Newspaper MEDITERRANEO,<\/strong> October 2013<\/p>\n<\/div>\n<\/div>\n

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[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1634197523377{padding-top: 50px !important;}”][vc_column width=”1\/4″][vc_single_image image=”4299″ img_size=”medium” align=”left”][\/vc_column][vc_column width=”3\/4″][vc_column_text]\u201c\u2026The version of the Second of Rachmaninov counted with Carles Mar\u00edn as a soloist, with a thorough mechanism and an already fully maturity in his performance\u2026\u201d<\/p>\n

Newspaper LEVANTE,<\/strong> September 2014[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_single_image image=”4303″ img_size=”medium” alignment=”center”][vc_single_image image=”4302″ img_size=”full” alignment=”center”][vc_separator type=”invisible” size=”big”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_single_image image=”4359″ img_size=”medium” alignment=”center”][vc_single_image image=”4577″ img_size=”full” alignment=”center”][vc_separator type=”invisible” size=”big”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1634197523377{padding-top: 50px !important;}”][vc_column width=”1\/4″][vc_single_image image=”4581″ img_size=”medium” align=”left”][\/vc_column][vc_column width=”3\/4″][vc_column_text]”… Coll, Mar\u00ed and Liebreich sign an excellent evening of music in tribute to Vicente Zarzo Pitarch …. \u201d Read full review Valencia Plaza[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1634197523377{padding-top: 50px !important;}”][vc_column width=”1\/4″][vc_single_image image=”4584″ img_size=”medium” align=”left”][\/vc_column][vc_column width=”3\/4″][vc_column_text]”… Mar\u00edn gave a subtle interpretation, with great … Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4438","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/carlesmarin.com\/en\/wp-json\/wp\/v2\/pages\/4438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carlesmarin.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carlesmarin.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carlesmarin.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carlesmarin.com\/en\/wp-json\/wp\/v2\/comments?post=4438"}],"version-history":[{"count":5,"href":"https:\/\/carlesmarin.com\/en\/wp-json\/wp\/v2\/pages\/4438\/revisions"}],"predecessor-version":[{"id":4586,"href":"https:\/\/carlesmarin.com\/en\/wp-json\/wp\/v2\/pages\/4438\/revisions\/4586"}],"wp:attachment":[{"href":"https:\/\/carlesmarin.com\/en\/wp-json\/wp\/v2\/media?parent=4438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}